{"id":37947,"date":"2025-07-28T16:14:56","date_gmt":"2025-07-28T14:14:56","guid":{"rendered":"https:\/\/festivalpanoramic.cat\/?post_type=project&p=37947"},"modified":"2025-11-06T10:00:16","modified_gmt":"2025-11-06T08:00:16","slug":"about-rest","status":"publish","type":"project","link":"https:\/\/festivalpanoramic.cat\/en\/project\/about-rest\/","title":{"rendered":"About Rest, Natalia Lazaro Prevost"},"content":{"rendered":"

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Exhibitions<\/p>\n

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About Rest<\/p>\n

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Natalia Lazaro Prevost<\/strong><\/p>\n

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Curated by Merc\u00e8 Alsina<\/strong><\/p>\n

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BARCELONA
<\/b>Arxiu d\u2019Etnografia i Folklore de Catalunya<\/strong>
<\/b>Instituci\u00f3 Mil\u00e0 i Fontanals \u2013 Carrer Egipc\u00edaques, 15<\/span><\/p>\n

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From November 6, 2025, to January 11, 2026<\/p>\n

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Free access (outdoor space).<\/p>\n

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About Rest<\/span><\/i> invites us to rethink the city\u2013countryside dichotomy in response to the widespread sense of personal and collective exhaustion that surrounds us. In search of a possible new architecture of rest, artist Natalia Lazaro Prevost has conducted research at the Archive of Ethnography and Folklore of Catalonia.<\/span><\/p>\n

The result is a photographic dialogue in which the artist reuses and intervenes in early 20th-century images taken in cereal fields in Catalonia. These images prominently feature <\/span>garberas<\/span><\/i> \u2014 traditional structures made from bundles of straw tied by hand. Today considered part of Catalonia\u2019s ethnographic heritage, these constructions reflect a way of life and a relationship with the land rooted in reuse, manual labor, and alignment with natural rhythms. At the same time, they evoke notions of rest, shared labor, environmental stewardship, and a quiet resistance to the pace of modern life.<\/span><\/p>\n

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Natalia Lazaro Prevost<\/span><\/span><\/p>\n

Natalia Lazaro Prevost<\/span>\u00a0is a visual researcher whose artistic projects explore movement and the relationship between objects and the space they inhabit. Her work focuses on recovering social contexts from the past in order to reflect on the roles of women and the environment today.<\/span><\/p>\n

She holds a degree in Journalism from Barcelona and Santiago de Chile, and specialized in artistic photography at the London University of the Arts. She has lived and worked in Chile, Malaysia, Madrid, and London. She currently resides in Barcelona, where she works in conceptualization, curating, and artistic creation in collaboration with art centers, institutions, and festivals.<\/span><\/p>\n

Her projects have been presented in exhibitions and publications by institutions such as MACBA, La Panera, Fundaci\u00f3 Joan Brossa, La Casa Elizalde, Sala d\u2019Art Jove, Centre d\u2019Arts Santa M\u00f2nica, London College of Communication, UNHCR Malaysia, El Pa\u00eds<\/i>, ARA<\/i>, and The Guardian<\/i>.<\/span><\/p>\n

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Panor\u00e0mic File<\/span><\/p>\n

Panor\u00e0mic File<\/i> is a section of the festival curated by Merc\u00e8 Alsina, which invites artists to develop new projects based on various photographic archives. This year, they were asked to work in response to the edition’s theme: Break. A new visual order<\/i>, which reflects on the first quarter of the 21st century and the profound geopolitical, technological, and governance shifts that have taken place.<\/p>\n

The term break<\/i> refers both to the idea of rupture and to that of pause \u2014a necessary pause to process these changes and question whether this is truly the future we had envisioned, doing so through the image.<\/p>\n

In this edition, seven artists delve into different archives to explore the concept of pause in devices where this temporal suspension is, in some way, inherent.<\/p>\n

The projects featured in Panor\u00e0mic File 2025<\/i> are:<\/p>\n