{"id":38200,"date":"2025-09-10T17:16:00","date_gmt":"2025-09-10T15:16:00","guid":{"rendered":"https:\/\/festivalpanoramic.cat\/?post_type=project&p=38200"},"modified":"2025-11-06T09:29:26","modified_gmt":"2025-11-06T07:29:26","slug":"capsa-23","status":"publish","type":"project","link":"https:\/\/festivalpanoramic.cat\/en\/project\/capsa-23\/","title":{"rendered":"Capsa n\u00fam 23, Aleix Plademunt"},"content":{"rendered":"

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Exhibitions<\/p>\n

[\/et_pb_text][et_pb_text admin_label=”Nom expo” _builder_version=”4.27.4″ _module_preset=”default” text_font=”Montserrat extra bold||||||||” text_text_color=”#000000″ text_font_size=”39px” text_line_height=”1em” custom_margin=”||19px||false|false” text_font_size_tablet=”39px” text_font_size_phone=”28px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Capsa n\u00fam 23<\/p>\n

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Aleix Plademunt<\/strong><\/p>\n

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Curated by Merc\u00e8 Alsina<\/strong><\/p>\n

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BARCELONA\u00a0
<\/b>Museu Mar\u00edtim de Barcelona<\/b><\/span><\/strong>
<\/b>Av. de les Drassanes s\/n<\/span><\/span><\/p>\n

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From October 23, 2025, to January 11, 2026<\/p>\n

[\/et_pb_text][et_pb_toggle title=”Hours” open_toggle_text_color=”#000000″ open_toggle_background_color=”RGBA(255,255,255,0)” closed_toggle_background_color=”RGBA(255,255,255,0)” icon_color=”#8b794f” toggle_icon=”L||divi||400″ use_icon_font_size=”on” icon_font_size=”22px” open_icon_color=”#8b794f” open_use_icon_font_size=”on” admin_label=”Horaris” _builder_version=”4.27.4″ _module_preset=”default” title_text_color=”#000000″ title_font=”Montserrat extra bold||||||||” title_font_size=”20px” closed_title_font=”Montserrat extra bold||||||||” closed_title_font_size=”20px” body_font=”akrobat light||||||||” body_text_color=”#000000″ body_font_size=”20px” custom_margin=”-40px||||false|false” custom_margin_tablet=”-14px||||false|false” custom_margin_phone=”-20px||||false|false” custom_margin_last_edited=”on|desktop” body_font_size_tablet=”20px” body_font_size_phone=”18px” body_font_size_last_edited=”on|phone” border_width_all=”0px” border_width_top=”1px” border_color_top=”#8b794f” border_width_bottom=”1px” border_color_bottom=”#8c864d” locked=”off” global_colors_info=”{}”]<\/p>\n

Monday to Sunday from 10 am to 8 pm.
<\/p>\n

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In\u00a0Capsa n\u00fam 23<\/em>, Aleix Plademunt reflects on the acceleration that characterises the 21st century through the slowness of certain archival processes. For this, he works with the photographic archive of the Maritime Museum of Barcelona, where he found that, as often happens in institutional archives, part of the material may remain unregistered for years: invisible documents, momentarily suspended outside the administrative system.<\/p>\n

The artist revives one of these cases: box 23, the last on the waiting list to be registered. It contains the donation of Juan Bautista Buades, chief engineer and naval inspector born in 1936. The images, taken between 1964 and 1980, oscillate between the intimate and the technical: scenes of everyday life aboard various ships alongside expert records of damage and naval accidents. By showing them, Plademunt reactivates the visibility of these images and deactivates the pause that kept them frozen for seventeen years.<\/span><\/p>\n

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Aleix Plademunt<\/span><\/span><\/p>\n

Aleix Plademunt (Hostalric, 1980) is a photographer and co-founder of the editorial project Ca l\u2019Isidret. He trained as an engineer before studying photography at the Universitat Polit\u00e8cnica de Catalunya and Universidad de las Am\u00e9ricas Puebla (Mexico). His work, marked by meticulous composition and an analytical gaze, reflects on the human presence in territory, both in its physical and symbolic, historical, and ecological dimensions. Using an objective and detached visual language, he questions notions of space, place, dominion, and intervention.<\/span><\/p>\n

Since 2003, he has held over twenty-five solo exhibitions and more than seventy group shows, including the solo exhibition Matter<\/i> at Sala Canal de Isabel II and Centre de la Photographie Gen\u00e8ve, his participation in Notes for a Fire of the Eyes. Panorama 21<\/i> at MACBA, as well as exhibitions of the project Almost There<\/i> at Le Bal (Paris), IMA Gallery (Tokyo), and Photoforum PasquArt (Biel, Switzerland), among others. Matter<\/i>, one of his nine published books, has been awarded by PhotoEspa\u00f1a, Stiftung Buchkunst, Deutscher Fotobuchpreis, and the Swiss Culture Awards as Best Book of 2022.<\/p>\n

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Panor\u00e0mic File<\/span><\/p>\n

Panor\u00e0mic File<\/i> is a section of the festival curated by Merc\u00e8 Alsina, which invites artists to develop new projects based on various photographic archives. This year, they were asked to work in response to the edition’s theme: Break. A new visual order<\/i>, which reflects on the first quarter of the 21st century and the profound geopolitical, technological, and governance shifts that have taken place.<\/p>\n

The term break<\/i> refers both to the idea of rupture and to that of pause \u2014a necessary pause to process these changes and question whether this is truly the future we had envisioned, doing so through the image.<\/p>\n

In this edition, seven artists delve into different archives to explore the concept of pause in devices where this temporal suspension is, in some way, inherent.<\/p>\n

The projects featured in Panor\u00e0mic File 2025<\/i> are:<\/p>\n