[et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” locked=”off” collapsed=”off” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ custom_padding_last_edited=”on|tablet” _builder_version=”4.25.0″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_margin_tablet=”0px||||false|false” custom_margin_phone=”-30px||||false|false” custom_margin_last_edited=”on|tablet” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Exposicions” _builder_version=”4.27.4″ _module_preset=”default” text_font=”Montserrat extra bold||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”||15px||false|false” global_colors_info=”{}”]<\/p>\n
Exhibitions<\/p>\n
[\/et_pb_text][et_pb_text admin_label=”Nom expo” _builder_version=”4.27.4″ _module_preset=”default” text_font=”Montserrat extra bold||||||||” text_text_color=”#000000″ text_font_size=”39px” text_line_height=”1em” custom_margin=”||19px||false|false” text_font_size_tablet=”39px” text_font_size_phone=”28px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
Open Panor\u00e0mic<\/p>\n
[\/et_pb_text][et_pb_text admin_label=”expo de…” _builder_version=”4.27.4″ _module_preset=”default” text_font=”–et_global_heading_font||||||||” text_text_color=”gcid-73263b73-b059-42fc-a61d-05da764fa408″ text_font_size=”22px” text_line_height=”1.1em” custom_margin=”-5px||15px||false|false” text_line_height_tablet=”0.6em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” locked=”off” inline_fonts=”Montserrat extra bold,akrobat extrabold,Montserrat Light” global_colors_info=”{%22gcid-73263b73-b059-42fc-a61d-05da764fa408%22:%91%22text_text_color%22%93}”]<\/p>\n
Marina Baldina \u00b7 Laura Baigorri \u00b7 Marta Bisbal Torres \u00b7 Beatrice Moumdjian \u00b7 M\u00f2nica Porta \u00b7 Ignasi Prat Altimira \u00b7 Benedetta Ristori \u00b7 Kenneth Russo \u00b7 Polina Schneider<\/strong><\/p>\n [\/et_pb_text][et_pb_text admin_label=”expo de…” _builder_version=”4.27.4″ _module_preset=”default” text_font=”–et_global_heading_font||||||||” text_text_color=”gcid-73263b73-b059-42fc-a61d-05da764fa408″ text_font_size=”17px” text_line_height=”1.1em” custom_margin=”-5px||40px||false|false” text_line_height_tablet=”0.6em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” locked=”off” inline_fonts=”Montserrat extra bold,akrobat extrabold,Montserrat Light” global_colors_info=”{%22gcid-73263b73-b059-42fc-a61d-05da764fa408%22:%91%22text_text_color%22%93}”]<\/p>\n Curated by\u00a0Pilar Cruz<\/strong><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Lloc” _builder_version=”4.27.4″ _module_preset=”default” text_font=”Montserrat extra bold||||||||” text_text_color=”#000000″ text_font_size=”18px” custom_margin=”10px||||false|false” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” locked=”off” inline_fonts=”akrobat light,Montserrat Light” global_colors_info=”{}”]<\/p>\n GRANOLLERS<\/b> [\/et_pb_text][et_pb_button button_url=”\/#home-localitzacions2024″ button_text=”View Map” button_alignment=”left” admin_label=”bot\u00f3 pl\u00e0nol” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_color=”#000000″ button_bg_color=”#e8e8e8″ button_border_width=”0px” button_border_radius=”0px” button_font=”akrobat extrabold||||||||” button_icon=”$||divi||400″ custom_margin=”-15px||51px||false|false” custom_margin_tablet=”-17px||||false|false” custom_margin_phone=”-17px|||0px|false|false” custom_margin_last_edited=”on|tablet” button_text_size_tablet=”” button_text_size_phone=”18px” button_text_size_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_button][et_pb_text admin_label=”Data” _builder_version=”4.27.4″ _module_preset=”default” text_font=”Montserrat Light||||||||” text_text_color=”#000000″ text_font_size=”18px” custom_margin=”-34px||62px||false|false” custom_margin_tablet=”-24px||||false|false” custom_margin_phone=”-24px||44px||false|false” custom_margin_last_edited=”on|tablet” text_font_size_tablet=”18px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n From October 16 to November 30<\/p>\n [\/et_pb_text][et_pb_toggle title=”Hours” open_toggle_text_color=”#000000″ open_toggle_background_color=”RGBA(255,255,255,0)” closed_toggle_background_color=”RGBA(255,255,255,0)” icon_color=”#8b794f” toggle_icon=”L||divi||400″ use_icon_font_size=”on” icon_font_size=”22px” open_icon_color=”#8b794f” open_use_icon_font_size=”on” admin_label=”Horaris” _builder_version=”4.27.4″ _module_preset=”default” title_text_color=”#000000″ title_font=”Montserrat extra bold||||||||” title_font_size=”20px” closed_title_font=”Montserrat extra bold||||||||” closed_title_font_size=”20px” body_font=”akrobat light||||||||” body_text_color=”#000000″ body_font_size=”20px” custom_margin=”-40px||||false|false” custom_margin_tablet=”-14px||||false|false” custom_margin_phone=”-20px||||false|false” custom_margin_last_edited=”on|desktop” body_font_size_tablet=”20px” body_font_size_phone=”18px” body_font_size_last_edited=”on|phone” border_width_all=”0px” border_width_top=”1px” border_color_top=”#8b794f” border_width_bottom=”1px” border_color_bottom=”#8c864d” locked=”off” global_colors_info=”{}”]<\/p>\n Friday: 5:00 pm \u2013 8:00 pm<\/p>\n<\/li>\n Saturday: 11:00 am \u2013 2:00 pm and 5:00 pm \u2013 8:00 pm<\/p>\n<\/li>\n Sunday: 11:00 am \u2013 2:00 pm<\/p>\n<\/li>\n<\/ul>\n [\/et_pb_toggle][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_slider admin_label=”Slider” module_class=”divicon_full_screen_slider ” 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Font” sticky_enabled=”0″][\/et_pb_slide][et_pb_slide image=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/111_panoramic_2025_Granollers_DSC09293_Marc-Font-scaled.jpg” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_color=”on” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_transition=”on” title_text=”111_panoramic_2025_Granollers_DSC09293_Marc Font” sticky_enabled=”0″][\/et_pb_slide][et_pb_slide image=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/114_panoramic_2025_Granollers_DSC09302_Marc-Font-scaled.jpg” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_color=”on” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_transition=”on” title_text=”114_panoramic_2025_Granollers_DSC09302_Marc Font” sticky_enabled=”0″][\/et_pb_slide][et_pb_slide image=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/124_panoramic_2025_Granollers_DSC09357_Marc-Font-scaled.jpg” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_color=”on” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_transition=”on” title_text=”124_panoramic_2025_Granollers_DSC09357_Marc Font” sticky_enabled=”0″][\/et_pb_slide][et_pb_slide image=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/137_panoramic_2025_-Granollers_DSC01413_Marc-Font-scaled.jpg” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_color=”on” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_transition=”on” title_text=”137_panoramic_2025_ Granollers_DSC01413_Marc Font” sticky_enabled=”0″][\/et_pb_slide][et_pb_slide image=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/125_panoramic_2025_Granollers_DSC09369_Marc-Font-scaled.jpg” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_color=”on” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_transition=”on” title_text=”125_panoramic_2025_Granollers_DSC09369_Marc Font” sticky_enabled=”0″][\/et_pb_slide][et_pb_slide image=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/119_panoramic_2025_Granollers_DSC09333_Marc-Font-scaled.jpg” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_enable_color=”on” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_transition=”on” title_text=”119_panoramic_2025_Granollers_DSC09333_Marc Font” sticky_enabled=”0″][\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” inline_fonts=”akrobat extrabold” global_colors_info=”{}”]<\/p>\n The Open Panor\u00e0mic<\/strong> is the festival\u2019s open call that gives voice to national and international creators and becomes a meeting point between artists, programmers, and audiences. In this 9th edition, the projects selected in the categories of still image, audiovisual essay, and other formats shape an exhibition that reflects the vitality and diversity of contemporary visual culture.<\/p>\n Under the theme \u201cBreak. A New Visual Order\u201d<\/strong>, Panor\u00e0mic invites us to stop and reflect on the acceleration and changes of our time\u2014sociological, geopolitical, and technological\u2014and how these have transformed the world of images. The Open Panor\u00e0mic exhibition thus becomes a space to question the present and imagine the possible futures of visual culture.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” _builder_version=”4.25.0″ _module_preset=”default” background_color=”#e8e8e8″ custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” locked=”off” collapsed=”off” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.0″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”0px||||false|false” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”0px||0px||false|false” border_width_bottom=”2px” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n Marina Baldina<\/span><\/p>\n Marina Baldina (Bryansk, 1993) is an artist working primarily with video and photography, exploring the intersections between moving image, memory, and everyday experience. Trained as an engineer in her hometown, she later moved to Moscow, where she graduated from the New Film School in 2023 and completed the Free Workshops program at the Moscow Museum of Modern Art (MMOMA) in 2024. Her work has been shown at international festivals and venues including ADAF in Athens, \u00cele Th\u00e9l\u00e8me Gallery in Moscow, and Superlative Gallery in Bali. She currently lives and works in Moscow, combining artistic practice with research into new visual languages in the field of contemporary digital art.<\/span><\/p>\n [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”rss” url=”https:\/\/marinabaldina.ru\/?fbclid=PAZXh0bgNhZW0CMTEAAadTK_eWzTX6vDpfBEdl_6r-jyEehpBWinXVR6rmjLRymVKR5qYlCoHm0v3Ipw_aem_1vGQLWxbu7PYF6kJoTxQsA” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ff8a3c” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]rss[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/mariii__chan\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#000000″ background_enable_color=”on” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/marina_baldina_panoramic.png” title_text=”marina_baldina_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” border_width_bottom=”2px” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n Laura Baigorri<\/span><\/span><\/p>\n Laura Baigorri (Barcelona, 1960) is Professor of Media Art at the Faculty of Fine Arts, University of Barcelona. She is currently Principal Investigator of the research project <\/span>CONNECTED BODIES III. Latent Spaces of AI in Audiovisual Identity Creation<\/span><\/i> (2025\u20132029). She combines teaching with research, curating, and the production of artistic projects. Baigorri has published essays and articles on art and activism online, video art, and media art. She is the author of books such as <\/span>Video in Latin America. A Critical History<\/span><\/i> (2008) and <\/span>Connected Bodies. Art, Identity, and Self-Representation in the Transmedia Society<\/span><\/i> (2021). As a curator, she is noted for her work on <\/span>Multiverso<\/span><\/i> (2016\u20132019) at Fundaci\u00f3n BBVA in Madrid, and <\/span>Videoarde. Critical Video in Latin America and the Caribbean<\/span><\/i> (2009\u20132015) for AECID and Instituto Cervantes.<\/span><\/p>\n [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”rss” url=”https:\/\/laurabaigorri.net\/cv\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ff8a3c” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]rss[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/baigorri.laura\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ea2c59″ global_colors_info=”{}” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/laura_baigorri_panoramic.png” title_text=”laura_baigorri_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” border_width_bottom=”2px” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n Marta Bisbal Torres<\/span><\/p>\n Marta Bisbal Torres (Mollerussa, 1974) is a visual artist whose projects unfold across installation, video, film, photography, and performative action. Her work explores territory, architecture, memory, and different ways of representing and inhabiting them, questioning both perception and the very act of looking.<\/span><\/p>\n She has exhibited at Casal Solleric (Palma, 2025), B\u00f2lit. Centre d\u2019Art Contemporani (Girona, 2025), Centre d\u2019Art La Panera (Lleida, 2023), Fotonoviembre (Tenerife, 2023), Can Many\u00e9 (Alella, 2022), Centro P\u00e1rraga (Murcia, 2021), Roca Umbert F\u00e0brica de les Arts (Granollers, 2020), Sala Muncunill (Terrassa, 2018), and Sala Kursala (C\u00e1diz, 2016), among others. In 2022 she received the <\/span>El Temps de les Arts<\/span><\/i> Prize for Experimental Cinema.<\/span><\/p>\n [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”rss” url=”https:\/\/www.martabisbal.com\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ff8a3c” background_enable_color=”on” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]rss[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/marta_bisbal_torres_panoramic.png” title_text=”marta_bisbal_torres_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” border_width_bottom=”2px” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n Pilar Cruz<\/span><\/p>\n Pilar Cruz is an art historian, cultural manager, and independent curator. She has curated projects for institutions and festivals including ARCO Madrid, Fabra i Coats Art Centre, Fundaci\u00f3 Mir\u00f3 (Espai 13), Centre d\u2019Art Santa M\u00f2nica, CaixaForum, Panor\u00e0mic Festival, and Periferias Festival (Huesca), among others.<\/span> [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/pilarcruz_billijeanitsme\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#000000″ background_enable_color=”on” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”rss” url=”https:\/\/pilarcruzramon.wixsite.com\/pilarcruz?fbclid=PAZXh0bgNhZW0CMTEAAaeAAn2MIZb_ueOdWnm3GnywLT87P0yIOMXyvnDWIjyRB9-x2h6KPjT0OlEKTA_aem_LcBJjV_9tNwTs_5n8-MiBQ” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ff8a3c” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]rss[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/pilar_cruz_panoramic.png” title_text=”pilar_cruz_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” border_width_bottom=”2px” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n Beatrice Moumdjian<\/span><\/p>\n Based on Beatrice Moumdjian\u2019s Slavic-West Asian, diasporic and migrant connection to the Eurasian continent – the so-called “Orient” – she deals with cultural continuities and their ruptures, borrowing from bureaucratic, archaeological, and reconstructive methods.\u00a0<\/p>\n She was born in Sofia, People\u2019s Republic Bulgaria into her mother\u2019s Armenian family and moved with her in 1990 to the former East of Berlin. In 1994, she obtained German citizenship using a birth certificate secured through a bribe to the Bulgarian national intelligence service DS in the late 80s.<\/p>\n Beatrice lives and works in Berlin and has studied Fine and Media Art and Photography in Den Haag, Weimar and Leipzig. She had\u00a0exhibited at institutions including nGbK Berlin (2019), KO-OP Gallery (2022), Goethe Institut Montr\u00e9al (2021), \u0160kuc Gallery (2024), Noorderlicht International Photo Festival (2021), (2025), LUMA Arles (2023), Museum of Fine Arts Leipzig (2019, 2025).\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” locked=”off” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/surveillanceartist\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#000000″ background_enable_color=”on” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”rss” url=”https:\/\/www.bpschuett.com\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ff8a3c” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]rss[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/beatrice_moumdjian_panoramic.png” title_text=”beatrice_moumdjian_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” border_width_bottom=”2px” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n M\u00f2nica Porta<\/span><\/p>\n The artistic practice of M\u00f2nica Porta (Barcelona, 1972) is based on manual, repetitive, and accumulative processes that require very long periods of time. This slowness is not a limitation but a conscious choice: a way of pausing to observe and listen.<\/span><\/p>\n She holds degrees in Art History and Fine Arts, as well as a Master\u2019s in Artistic Production and Research from the University of Barcelona. Recently she has received a grant for artistic creation from OSIC and support for creation from Espai d\u2019Arts de Roca Umbert. Her work has been shown at Espai Zero at Fabra i Coats Contemporary Art Centre, Museu del Disseny de Barcelona-DHub, Can Felipa, and Lo Pati, among others. She has undertaken residencies at centres such as Roca Umbert, Casa Aymat, and Fabra i Coats.<\/span><\/p>\n [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”rss” url=”https:\/\/monicaporta.hotglue.me\/?fbclid=PAZXh0bgNhZW0CMTEAAafVlHZZVJb_tZumt7p2Bw6UwwG5dbXkA6HUW0nh01aFsGBaCxlhQuquCG__IA_aem_un2hyStpNvu9O68lRjluQA” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ff8a3c” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]rss[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/monicporta\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#000000″ background_enable_color=”on” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/monica_porta_panoramic.png” title_text=”monica_porta_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” border_width_bottom=”2px” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n Ignasi Prat Altimira<\/span><\/p>\n Ignasi Prat Altimira (Sant Esteve de Palautordera, 1981) uses the power of images to explore the imaginaries of political power, ranging from the historical and cultural tastes of Francoist elites to the visual identities of politicians on social media, as well as official portraiture in democracy.<\/span><\/p>\n He holds a degree in Photography, a BA in Fine Arts, and a PhD in Art and Cultural Studies. He has received grants such as BCN Crea, OSIC, La Capella-BCN Producci\u00f3, VEGAP, and awards including the Biennal de Valls\u2013Guasch Coranty, the Manacor City Prize, and a Special Mention in the research awards of the Consell Audiovisual de Catalunya. His work is part of collections such as the <\/span>Pla Nacional de Fotografia<\/span><\/i>, Fundaci\u00f3 Ciutat de Valls, and Fundaci\u00f3n Cristina Masaveu Peterson.<\/span><\/p>\n [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”rss” url=”https:\/\/ignasiprat.org\/?fbclid=PAZXh0bgNhZW0CMTEAAadGK4ywG5gsUzqByo3pQs1wc7u6Ovg_zwcBec2zvtEAIXmeYIR_A-eRGO7WMw_aem_gKi_aYDgTq0CDs-Aq1EMJA” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ff8a3c” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]rss[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/ignasiprataltimira\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#000000″ background_enable_color=”on” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/ignasi_prat_altimira_panoramic.png” title_text=”ignasi_prat_altimira_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” border_width_bottom=”2px” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n Benedetta Ristori<\/span><\/p>\n Benedetta Ristori is a visual artist whose photographic work often focuses on peripheral geographies\u2014both literal and symbolic\u2014where individual experience intersects with broader systems of history, care, and social change.<\/span><\/p>\n [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”rss” url=”https:\/\/benedettaristori.com\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ff8a3c” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]rss[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/b.ristori\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#000000″ background_enable_color=”on” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/benedetta_ristori_panoramic.png” title_text=”benedetta_ristori_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” border_width_bottom=”2px” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n Kenneth Russo<\/span><\/p>\n Kenneth Russo is a visual artist and researcher, holding a BA in Fine Arts from UB, a Master\u2019s in 3D Animation from UPF, and a PhD in Communication from UdG. His work focuses on interactive communication systems, socially oriented design, the ethics of virtual worlds, and the speculative exploration of artificial intelligence. Russo\u2019s practice seeks to establish a critical dialogue with the viewer, treating technology as a medium that interrogates itself while reshaping perception and constructing new meanings.<\/span><\/p>\n [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”rss” url=”https:\/\/www.kennethrusso.net\/p\/1\/en\/Home” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#ff8a3c” background_enable_color=”on” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]rss[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/kenneth_russo_panoramic.png” title_text=”kenneth_russo_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” width=”95%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” max_width=”2560px” custom_padding_tablet=”” custom_padding_phone=”||0px||false|false” border_width_bottom=”2px” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”akrobat light||||||||” text_text_color=”#000000″ text_font_size=”20px” custom_padding=”1px|||||” inline_fonts=”Montserrat extra bold” global_colors_info=”{}”]<\/p>\n Polina Schneider<\/span><\/p>\n Polina Schneider was born in Saint Petersburg during the Perestroika years. Her upbringing, marked by the coexistence of multiple languages, cultures, and religions, profoundly shaped her worldview, a perspective that permeates her entire photographic practice. Her work focuses on capturing contrasts and processes that explore the search for identity, as well as environmental, cultural, and political themes. Her images combine aesthetic sensitivity with strong social commitment, revealing tensions between the individual and their environment.<\/span><\/p>\n She has exhibited internationally in Europe and the United States. Additionally, she is co-founder of two photography collectives: C22, led by women and focused on environmental photography, and 20proKuadrat, which promotes art in public spaces in Hannover.<\/span><\/p>\n [\/et_pb_text][et_pb_social_media_follow icon_color=”#FFFFFF” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/polisnaps\/” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#000000″ background_enable_color=”on” global_colors_info=”{}” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/festivalpanoramic.cat\/wp-content\/uploads\/2025\/08\/polina_schneider_panoramic.png” title_text=”polina_schneider_panoramic” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" ExhibitionsOpen Panor\u00e0micMarina Baldina \u00b7 Laura Baigorri \u00b7 Marta Bisbal Torres \u00b7 Beatrice Moumdjian \u00b7 M\u00f2nica Porta \u00b7 Ignasi Prat Altimira \u00b7 Benedetta Ristori \u00b7 Kenneth Russo \u00b7 Polina SchneiderCurated by\u00a0Pilar […]<\/p>\n","protected":false},"author":1,"featured_media":39592,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[156,166,169,143],"project_tag":[],"class_list":["post-38745","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-exhibitions-2025-en","project_category-exhibitions-granollers-2025","project_category-open-panoramic-2025-en","project_category-panoramic-2025-en"],"yoast_head":"\n
<\/b>Roca Umbert F\u00e0brica de les Arts<\/span><\/strong>
<\/b>Espai d’Arts \u2013 Carrer d\u2019Enric Prat de la Riba, 77
<\/span><\/p>\n\n
<\/span>She was part of the curatorial team at La Capella (2021\u20132023) and was selected for the first edition of <\/span>Komisario Berriak<\/span><\/i> in Donostia. Internationally, she has curated projects with the National Archives of Malta and Museu de Arte Contempor\u00e2nea de Serralves, and coordinated the Catalonia Pavilion at the 2023 Venice Architecture Biennale<\/span> (<\/b>Seguint el Peix<\/span><\/i>)<\/b>. She currently directs the Art Nou Festival, coordinates the GRAF platform, and advises ICUB on the <\/span>Temporals<\/span><\/i> exhibition program. She also serves as a jury member and contributes as a critic in catalogues and art journals.<\/span><\/p>\n
<\/span>Working mainly in portrait and landscape photography, Ristori\u2019s practice is grounded in long-term research. Notable projects include <\/span>East<\/span><\/i> (2015\u20132018), self-published as a book in 2018; <\/span>Lay Off<\/span><\/i> (2015\u2013ongoing); <\/span>Take Care<\/span><\/i> (2018\u20132020); and <\/span>You Don\u2019t Need Soil To Grow<\/span><\/i> (2021\u20132023), published by The Eriskay Connection in 2024. Her work has been exhibited at major national and international venues such as Scuderie del Quirinale, Triennale Milano, Palazzo delle Esposizioni, Galerie Binome, Plato Gallery, and Si Fest. Her photography has appeared in <\/span>p<\/b>ublications including <\/span>La Repubblica<\/span><\/i>, <\/span>VICE<\/span><\/i>, <\/span>Bloomberg Businessweek<\/span><\/i>, <\/span>Die Zeit<\/span><\/i>, <\/span>Forbes<\/span><\/i>, <\/span>Document Journal<\/span><\/i>, and <\/span>Vogue Italia<\/span><\/i>.<\/span><\/p>\n
<\/span>His work has been presented at numerous national and international venues and festivals, including Arts Santa M\u00f2nica, Fundaci\u00f3 Godia, Loop Festival, CCCB, La Capella, FIB Art, Centro Bu\u00f1uel Calanda, DAHJ Gallery, Digital Graffiti Festival (Florida), Rome Art Week 2024, AI International Film Festival 2024 (San Diego), Korea International AI Film Festival 2024, SAIFF 2025 (Seattle), Lugano Film Fest, and ARE 2025 Wire FilmEU (Sofia).<\/span><\/p>\n