Exhibitions

Ecologies de la pausa

Off season, Nina Medioni

Entre Islas / Paisajes de Explotación, Juan A. Zapata

TERRASSA
Amics de les Arts i Joventuts Musicals – Sala Salvador Alavedra
Sant Pere, 46

From Novembre 6 to December 7, 2025

Hours

Tuesday to Sunday from 6:00 pm. to 8:00 pm.

“Ecologies of Pause” is a collaborative program between art centers in the Euroregional area, promoting residencies for artistic research and creation focused on the image and its new narratives. The Fundación Casa Planas, Centre d’Art et de Photographie de Lectoure, 3C Calce Culture Contemporaine, and the Panoràmic festival work to strengthen the collective imagination and European cultural identity, with the support of the Euroregió Pirineus Mediterrània and local authorities. On this occasion, the projects of two artists are presented, reflecting on pause in the global context, its relationship with tourism, and its impact on territories and communities, exploring the tourism economy from everyday gestures to its global manifestations.

The photographic series Off Season focuses on the seemingly ordinary and empty world of holiday resorts in the low season. These environments, apparently unchanging, are sustained by the everyday gestures of those who come to clean and maintain them.Images of the workers are interspersed with portraits of a few tourists, spotted occasionally before the start of summer, moving through exteriors still deserted and strange. With this project, Nina Medioni opens herself to documentary, to prolonged time, to wandering, taking personal detours. Here, photography becomes a way of encountering others, as well as of finding one’s own place within occupied spaces — sometimes linked to personal history, and sometimes entirely unknown.

Entre Islas / Paisajes de Explotación is an artistic investigation tracing connections between the Caribbean and the Balearic Islands. The extractivist logic of tourism transformed both archipelagos, where hotel architecture, photography and thousands of postcards constructed a fictional narrative and landscape — a stage for desire, where the livable gives way to the profitable. Through the archive, voices and repetition, the project reveals how the “staging of illusion” in tourism is not only an aesthetic matter, but a political, economic and cultural operation that still shapes how we inhabit and represent these places.

Nina Medioni

Nina Medioni was born in Paris in 1991 and lives and works in Marseille. After graduating from the École Nationale de la Photographie in Arles in 2019, she devoted herself to producing several long-term documentary projects. Her work has been exhibited at, among others, the Rencontres d’Arles, the Centre Photographique Marseille, Le Bal and the Photo Saint-Germain Festival in Paris. She published her first book, Un été au Prépaou, with September Books in September 2024. Following her first film, Le Chalet (2023), recently acquired by the CNAP, she continues with a new project, Le Hameau. This ongoing body of photographic and video work, centered on a former labor camp, received the Coup de Coeur mention of the Le Bal / ADAGP Award 2025.

Juan A. Zapata

Juan A. Zapata (Dominican Republic, 1974) is an architect, documentary filmmaker and photographer. His work explores the relationship between landscape, urban and natural transformation, and the sociopolitical and cultural dynamics that traverse them. His documentary Mal de Caña (2021), on exploitation and migration in sugarcane and hotel communities in the Dominican Republic, received the Prix de Média at the Festival Nouveaux Regards (Guadeloupe). In El Oro de Baitoa (2024), he addresses rural memory and folklore, presented at Casa de América (Madrid) and the Museo Bellapart (Santo Domingo). Co-founder of the collective SUPERSUDACA, he received the award for best participation at the Rotterdam Architecture Biennale (2003). He has exhibited internationally and has been recognized with fellowships such as the Graham Foundation.

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